
Lady on a Zebra - 500 Piece Jigsaw Puzzle
A.E. Marty crafted one of Vogueâs most fantastical covers with a sure hand and clean lines. At first glance the reader might not even notice that this modestly dressed, veiled, behatted, and bepearled adventuress sits astride a rearing zebra, rather than a steed, as three giraffes wander in the distance. Here was an imaginative âfashion travelogueâ that spoke to the issueâs theme, Southern Fashionsââthe great migration to sunny climesââand âthose small accents of so vast importance to chicâthe wearing of the scarf, the tilting of the hat, and similar weighty detailsâ that add to the element of fantasy in fashion. This cover inspired the editors of the New York Herald Tribune to pen an essay on the combination of âconvention and noveltyâ and the âjuxtaposition of old matter and fresh forms.â Vogue both contributed to and reported on (sometimes with a wink) the great changes happening in the 1920s. In response to the paperâs editorial, the magazine stressed âVogueâs desire to promote all
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Lady on a Zebra - 500 Piece Jigsaw Puzzleâ
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Lady on a Zebra - 500 Piece Jigsaw Puzzle
A.E. Marty crafted one of Vogueâs most fantastical covers with a sure hand and clean lines. At first glance the reader might not even notice that this modestly dressed, veiled, behatted, and bepearled adventuress sits astride a rearing zebra, rather than a steed, as three giraffes wander in the distance. Here was an imaginative âfashion travelogueâ that spoke to the issueâs theme, Southern Fashionsââthe great migration to sunny climesââand âthose small accents of so vast importance to chicâthe wearing of the scarf, the tilting of the hat, and similar weighty detailsâ that add to the element of fantasy in fashion. This cover inspired the editors of the New York Herald Tribune to pen an essay on the combination of âconvention and noveltyâ and the âjuxtaposition of old matter and fresh forms.â Vogue both contributed to and reported on (sometimes with a wink) the great changes happening in the 1920s. In response to the paperâs editorial, the magazine stressed âVogueâs desire to promote all
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A.E. Marty crafted one of Vogueâs most fantastical covers with a sure hand and clean lines. At first glance the reader might not even notice that this modestly dressed, veiled, behatted, and bepearled adventuress sits astride a rearing zebra, rather than a steed, as three giraffes wander in the distance. Here was an imaginative âfashion travelogueâ that spoke to the issueâs theme, Southern Fashionsââthe great migration to sunny climesââand âthose small accents of so vast importance to chicâthe wearing of the scarf, the tilting of the hat, and similar weighty detailsâ that add to the element of fantasy in fashion. This cover inspired the editors of the New York Herald Tribune to pen an essay on the combination of âconvention and noveltyâ and the âjuxtaposition of old matter and fresh forms.â Vogue both contributed to and reported on (sometimes with a wink) the great changes happening in the 1920s. In response to the paperâs editorial, the magazine stressed âVogueâs desire to promote all











